"No matter how terrified you may be, own your fear and take that leap anyway because whether you land on your feet or on your butt, the journey is well worth it."
-- Laurie Laliberte
"If your dreams do not scare you, they are not big enough."
-- Ellen Johnson Sirleaf
"Life shrinks or expands in proportion to one's courage."
-- Anais Nin

Sunday, February 23, 2014

Call Me a Tease if You Must . . .

. . . just so long as you call me. ;)

Hey all! I've been sick, and working, and working, and sick. Right now, my priorities include projects with Tony Healey, Bernard Schaffer, Reeni Austin, and a newbie by the name of Tony DePaul. However, we all know I try to squeeze in some crochet time whenever I can because it maintains my sanity.

Of course, crochet for me is more than just pleasure; it's work. Rarely do I crochet only for the love of the craft. Chances are, if you see a hook in my hand, I'm working on a gift for a friend, an item for a craft show, or a sample for a new pattern.

Over last weekend, it was a sample called "Movie Night." I actually sketched out the design two or three years ago and then it sat, waiting for me to get back to it. The problem with the creative process, whether designing crafts, writing music, or writing prose or poetry, is that when it rains, it pours.

Once I get started, I can't stop. I sketched out about fifteen designs all at once and this one got lost in the shuffle, but it's always been in the back of my mind to finish it. I even bought the yarn for the sample way back when.

You see, the reason I named it "Movie Night" is that it was inspired by the red-and-white striped boxes that the old theatres used to serve popcorn. The basic design will be on a plane of white with red stripes in the form of post stitches and embellished with yellow popcorn stitches.

I've only reached the point where the pattern for the towel is worked out and written, but I'm pretty excited about it.

Meanwhile, the latest crochet book is well on its way to being finished. All of the samples are done except for one which needs pictures to be taken step-by-step for part of the pattern. And the clearer, more formal writing of the instructions and formatting need to be laid out.

So what else could I possibly have going on? Well, there's a serial I'm co-writing with Tony Healey that I hope we'll be able to reveal officially next month, and a couple of story ideas I'm developing with/for Reeni Austin that I hope we'll be able to publish within the next couple of months. That one's been slower going than I expected. Friends, a word of advice: writing is fairly easy, but writing romance is HARD!

Anyhow, I'll keep you posted, so stay tuned.

Namaste.

Monday, February 10, 2014

Single Shoulder Strap Pattern/Tutorial

Just in case you missed it, a couple of weeks ago, I posted the pattern for my Blog Collection Round Hobo Bag, possibly my favorite bag so far. Although that Windmill bag... Maybe I should just refrain from playing favorites.

Anyhow, because the straps of the bags in this collection are meant to be interchangeable, I chose not to post it all in one go. That, and I had yet to write up a coherent pattern.

Please be aware that the instructions for the strap are specific to the Round Hobo Bag, but a quick note about changing it up for other bags follows the pattern.

**********


Single Shoulder Strap

chain 120, do not turn, skip next 54 sts

Design Note:  For now, ignore those 54 skipped stitches, but you may want to mark the first and last skipped stitch so they're easier to find later.

Round 1:  being careful not to twist chain, connect to next st w/sc, sc in next 53 sts, sc in each ch across (174 sts)

Round 2:  sc in each of next 53 sts, skip next st, sc in each of next 119 sts, skip last st (172 sts)

Round 3:  skip 1st st, sc in next 51 sts, skip next 2 sts, sc in each of next 117 sts, skip last st (168 sts)

Round 4:  skip 1st st, sc in next 49 sts, skip next 2 sts, sc in next 115 sts, skip last st (164 sts)

Round 5:  skip 1st st, sk in next 47 sts, skip next 2 sts, sc in next 114 sts, join w/sl st in 1st st (161 sts)

finish off, weave in ends
(opposite side) Round 1:  connect w/sc at 1st skipped st, sc in next 53 sts, sc in each unused loop of ch (174 sts)
Rounds 2-5:  repeat Rounds 2-5 above

finish off, weave in all ends
**********
Modifying this strap to fit any bag is fairly simple. Instead of skipping 54 stitches, use the stitch count of the last row/round of your bag. Divide your total stitch count by two. This is the number of stitches you will skip.
In the coming months, as I post other bags from this series, I will also post the how-to's for their respective straps including a slightly narrower shoulder strap and a much shorter rolled handle. In the meantime, have fun playing with this one.
Happy Crocheting!

Monday, February 3, 2014

The Pros and Cons of Serializing

One of my favorite authors, and definitely my favorite client (but don't tell him I said that), Tony Healey, sent this to me a while back. Since he and I are possibly collaborating on a serialized novel this year, I thought it appropriate that I should finally share it with you, my fearless readers.

Also, I love to tease you all and figure I'd hold off on the shoulder strap tutorial for my latest handbag pattern until next week. That gives you plenty of time to finish the body of the bag before we get started with the strap.

So, here's Tony sharing some of what he's learned about publishing throughout 2013:
********************

The Far From Home series was about twelve months work, writing one part at a time. I'd read about Hugh Howey doing it with his Wool series, and how it'd caught people's imagination. Being new to this writing lark, I really didn't think I'd be able to write a 50,000 word novel to begin with. Now I could, but not back then. So I chose to write the parts between 10 and 20,000 words each. A reasonable amount of work to do in a month – though now my output is about 40,000 a month.

It was slow going. Tedious. I found I got half way through, reached number six, and didn't want to carry on. Why had I said it would be twelve installments?

WHY???

But I soldiered on, found my mojo again and finished it up. And you know what? It was a resounding success. Each part was a best-selling title. Aided by the fact that Part 1: Legend was made permanently free by Amazon, the series sold in droves.

Some people took umbrage to the fact they had to buy all twelve installments individually, but on the whole readers were receptive and supportive of what I was trying to do.

So should you try it?

I'd advise caution.

Firstly, yes, serializing your work is a great idea. What better way to build an audience (and necessary experience publishing on Amazon) than to do so over a twelve month period? That slow build, that gradual creation of a large piece of work seems like an uphill struggle at the time. But once you're there, you really discover you've achieved something. Not only have you written a long work of fiction, you've gained readers along the way. People emailed me, wrote messages on my site and twitter on a daily basis to tell me they liked Far From Home.

They still do.

But this leads to me second point. It's hard work. It takes discipline. You can't let them down. Once they start buying the first couple, readers expect to see it finished. And you owe them that. You're the storyteller. You can't take their hard earned cash with one hand and wave goodbye with the other.

See it through. As I said above, there was a point where I got disheartened. I didn't want to carry on. But I did. It was the only thing I could do (and the best thing I could do).

There's the financial consideration, too. You'll be making money as you're writing it. Who else gets to write a long novel and get paid by the chapter these days? Nobody. The whole year I was writing Far From Home, I made a steady income (that increased as each part was released).

Do I think you should write a novel first, then serialize it? No. Why would you want to? The whole idea is to write it as you go, bit by bit. I don't think it's fair on a reader to write the work first, then split it into chunks purely for financial benefit. Some reviewers accused me of just that. They didn't realize I was actually writing it as I went. I had a rough outline for each part and a list of characters. That's it.

However, I would recommend writing them a little in advance. Make sure you are a month ahead of where you need to be so that if you fall ill, or something else comes up, you don't let your readership down.

Have a site, let people know what's coming. Get readers involved in reading the parts before they come out. I wrote many of my readers into the series as characters. Designed catchy, branded covers that tell people in once glance what they are. As my pal Bernard says in his manifesto for independent authors, "Provide excellent value for fair cost."

What he means by that is give people a good deal. I published twelve installments of Far From Home at $0.99c each. When I finished the first three, I packaged them together and offered it for $1.99. I did the same with parts four, five and six. It was my way of providing a cheaper alternative as they read the series. When I had completed all twelve, I unpublished the first two volumes as they were no longer needed. I then put all twelve together as Far From Home: The Complete Series and priced it at $2.99. So to me, that's a saving to the reader of $9.

It would've cost them $12 to buy the whole thing. Now they can get it for a scratch under $3. About the same as a cup of coffee.

Fair cost.

So in short, here is my advice if you'd like to try your hand at writing and publishing a work of serial fiction.

1. Write as you go, and make each part no less than 10,000 words to provide value for money. $0.99 for 10,000 words works out at about a penny a page. I think that's fair.

2. Realize this isn't a ride you can stop once you get on. You're on for the duration, so buckle up. Don't short change people. Be resilient. Stay the course. If you've told people it's going to be in six parts, then you'd better deliver six parts that rock their socks off.

3. Experiment. I tried new things throughout Far From Home. Some of it worked, some of it didn't. I'm a better writer now than when I started with part 1; that's for sure. You learn the trade as you go. Stir things up, and always leave the reader hanging. I tried to leave things on a cliffhanger when I could, though I wasn't always able to. Carefully craft your ending so that people want to find out what's coming next.

4. Use bold, simplistic covers that communicate what the serial is. Have a brand. Have a look you've decided on, and stick with it. If the covers don't look like members of the same family, readers will find it hard picking them out of the crowd. Presentation is 99.9% of the sale. A book may not be judged by its cover, but I believe it is sold by it. Without a good cover, you're dead in the water.

5. Do not write the serial first, you're cheating the reader. And you're cheating yourself in the long run. It's a unique experience. Embrace it. Let it do it's thing.

6. Offer each part at the cheapest price possible, then when it's all complete give readers a huge discount. Remember that having an audience of people actually reading your work is more important (always) than making the maximum profit. Let everyone know you're not there to rip people off. You're there to write, and have what you've written be read and enjoyed. Don't be greedy and deny yourself the joy of having people appreciate your work and the effort it took to create it.

These are the pros and cons of serializing. In short, I believe everyone who writes should have a go. But always finish what you started. And know that it's a headache once you're doing it – though the end result is worth it. Follow my points and you won't go wrong. Be consistent, be professional, be a writer who values his or her readership, and you'll be fine.

If you're the opposite of those things, don't even attempt a serial. You're not dead in the water, you've not even left the dock yet.
********************
Tony's latest project, whose official launch is today, is Edge of Oblivion, an anthology to raise money for the Cystic Fibrosis Trust.


Listen to podcast interviews conducted by contributor and author, David Hulegaard, here: http://bit.ly/1dmltXh

Happy Reading!

Sunday, January 26, 2014

Free Crochet Pattern and a Sneak Peek at the New Crochet Book

Hey y'all! I decided I needed a short (heh) vacation, but I'm back. More important, I'm back with post number 200 here on the blog.

In honor of this milestone, I've brought you a gift: a free pattern you're going to love. As promised, I'm continuing to drop patterns from my new, almost finished, crochet book. This one just may be my favorite of the bunch simply because I'm addicted to round hobo bags.

This week, you get just the basics, the body of the bag, but the recommended amount of yarn is for the whole thing. The shoulder strap pattern/tutorial is something I will share with you within the next couple of weeks.

As usual, I worked the sample in Lily Sugar 'n Cream yarn, but it will work with any worsted weight yarn. The colors here are Hot Pink and Hot Orange. Grab your hook and get to work!

The Blog Collection Hobo Bag

Finished Size:

body – 9" diameter x 11" high
strap – 32" long x 2 ½" wide

Supplies Needed:

3 balls of yarn for body
2 balls of yarn for contrast
size H-8 (5mm) crochet hook
stitch markers or pieces of scrap yarn
yarn needle or smaller crochet hook for weaving in ends

Instructions:

Round 1: using magic ring method, 12 sc in ring, pull ring tight to close gap (12 sc)

Round 2: 2sc in each st around (24 sc)

Round 3: sc in each st around (24 sc)

Round 4: [2sc in next st, sc in next st] around (36 sc)

Round 5: sc in each st around (36 sc)

Round 6: [2sc in next st, sc in next 2 sts] around (48 sc)

Round 7: sc in each st around (48 sc)

Round 8: [2sc in next st, sc in next 3 sts] around (60 sc)

Round 9: sc in each st around (60 sc)

Round 10: [2sc in next st, sc in next 4 sts] around (72 sc)

Round 11: sc in each sc around (72 sc)

Round 12: [2sc in next st, sc in next 5 sts] around (84 sc)

Round 13: sc in each st around (84 sc)

Round 14: [2sc in next st, sc in next 5 sts] around (96 sc)

Round 15: sc in each st around (96 sc)

Round 16: [2sc in next st, sc in next 5 sts] around (108 sc)

Round 17: sc in each st around (108 sc)

Round 18: in BLO sc around (108 sc)

Round 19: sc in each st around (108 sc)

Rounds 20-27: repeat Round 19

change colors*

Round 28: sc in each st around (108 sc)

Round 29: repeat Round 28

Round 30: in BLO sc around (108 sc)

Round 31: repeat Round 30

Round 32: in BLO [sc in next st, dc in next st] around (108 sts)

Round 33: in BLO [dc in next st, sc in next st] around (108 sts)

Round 34: repeat Round 32

Round 35: repeat Round 33

Round 36: repeat Round 32

Round 37: in BLO sc around (108 sc)

Round 38-39: repeat Round 37

Round 40: sc in each st around (108 sc)

change colors*

Rounds 41-55: sc in each st around (108 sc)

do not finish off*

Before you move on to the shoulder strap, make sure this length works for you. If you do follow my instructions for the strap, you'll be adding another five rows (about 1 1/4") to the top of the bag, so keep that in mind as well.

Happy Crocheting!

Monday, December 9, 2013

A Day Late, But Well Rested

My apologies, folks, for yesterday's SNAFU. I woke up early, got a little work done, then closed my eyes, "just for an hour or so." I slept, quite soundly, for the next twelve hours. Then I got up, microwaved dinner, watched a bit of TV, and went to bed.

Such is life with chronic fatigue and a drive to get things done. I have a tendency to push myself past my limits and then pay for it when my body finally says, "no more." Welp, I pushed myself on Saturday and figured I could just drop the blog post into place a few hours late on Sunday, and all would be well. Wrong.

Anyhow, I guarantee it was worth the wait because the official launch of my pal M. L. Adams's first novel Cyber Dawn is tomorrow, but you get a double sneak peek. You see, as Mike's editor, I get access to the finished manuscript which means I get to post the first few pages here for you to sample. AND I happen to know the full book, both Kindle and paperback are already loaded to Amazon just in case you want to read the rest.

While Cyber Dawn is an excellent stand-alone novel, it may very well end up as first in a series. So read this, then we'll tell you a bit more about the author.

**********


Prologue

The eleven-year-old boy stared wide-eyed at the sleek silver and black cybernetic leg. He'd seen mock-ups of course. Even tried on a few as they worked to get the sizing just right. 

This is the real thing, he thought. That's my new leg.

His heart raced at the thought of being whole again.

He tore his eyes away and looked around the surgical room. The stainless steel furniture, bright lights, and adults wearing hospital scrubs, all reminded him of his last surgery. It even smelled the same – like when his house was freshly cleaned. But to the boy, it felt different. The last time he'd been in a room just like it, they had taken his leg to keep a cancerous tumor from spreading. Something the oncologist called a synovial sarcoma. Now, they were giving him a leg back. 

An even better one.

He gazed down at the end of the bed and stared at the single hump his left foot formed under the sheets. When he'd woken up from his last surgery, groggy and disoriented from the anesthesia, his eyes tried to focus on his missing foot. His brain told him it was there. He could still feel it as part of his body. But his eyes saw something different. Where there should be two humps, there was only one.

Later, the doctors told him the sensation he felt – of his leg being there when it wasn't – was called phantom pain. For the life of him, he couldn't figure out the phantom part. The pain sure felt real enough.

He pushed the memory to the back of his mind and stared at the ceiling. He wouldn't look down again until after the surgery. Not until there were two humps.

"Okay, it's time," said a nurse from somewhere off to his right. "You're already an old pro at this. Should be a piece of cake."

She pulled a piece of surgical tubing tight around his arm. She then tapped the skin with the back of her fingers and inserted the needle. The prick used to hurt, but now it barely registered.

"You'll feel a warm sensation flow into your arm and then throughout your body," she said. "When I tell you, start counting back from one hundred."

He closed his eyes and took a deep breath.

A few moments later, he felt the warm liquid flow into his veins. At the nurse's prompt, he began to count backwards.

"100 ... 99 ... 98 ... 97 ... 96 ... "

1

Six years later

The CyberLife Industries Non-Disclosure Agreement I signed contains a long list of forbidden activities. Near the top, just under you will NOT attempt to access or otherwise modify your cybernetic system, are the words: you will NOT participate in contact sports. Of course, the second my parents hopped on a plane to Europe for two months, I forged the permission slip to try out for my high school football team. 

For exactly forty days, it was the best decision of my life. I made the team, started three games at wide receiver, and met a ton of new friends. I even scored a date with the head of the cheerleading squad. For the first time in six years, life was normal. Instead of a lab rat, I felt like an actual teenager.

That was all before the helmet-on-helmet hit.

The medic at the game on Friday night diagnosed me with a concussion. But I knew better. I knew right away what it was. The hit screwed up my neural cybernetic augment. 

* * *

By early Monday morning, the headache was so bad I called Megan, my cybernetic systems technician. Not surprisingly, she totally freaked out. After a half-dozen or so expletives, she demanded I meet her right away. 

For almost three hours, I'd been lying on a cold, stainless steel surgical table in a secret underground laboratory at the CyberLife headquarters. Normally I didn't mind our early morning appointments. Three hours was a lot of time for a nap or, in extreme cases, to cram for an exam or finish a homework assignment. With a midterm starting in less than an hour, I actually needed to study. My headache wouldn't allow it.

I looked over at Megan. She sat at the lab's lone workstation, hunched over a laptop. Her fingers moved rapidly, filling the otherwise quiet space with the sound of clattering keys. A light blue CyberLife lab coat covered her slender body. Her long, blond hair was pulled up in a ponytail and her blue eyes sparkled from the light of the laptop screen. Despite the boredom, and the pain, I smiled to myself. Even mad, she sure is easy to look at, I thought.

Megan tried to hide it, but I knew she was watching me in her peripheral vision. I could feel the anger flowing from her eyes. Anger because I disobeyed her direct orders. Anger because I woke her up at three in the morning. But most of all, anger because I let her down. 

"Megan, how much longer?" I asked.

Without answering, she stood and walked in my direction. She stopped at the bank of diagnostic monitors sitting on a wheeled cart near my table. The monitors, connected wirelessly to my various cybernetic components, displayed the status of my heart rate, blood pressure, and other vital systems – human and cybernetic. Placing both hands on the cart's handle, she began to push it back toward her workstation.

"Almost done?" I asked.

With a heavy sigh, Megan stopped the cart and turned to face me. "Benjamin, you do realize I'm in the process of repairing your brain?"

I swallowed hard. 

"Keep distracting me," she said as she pointed at one of the monitors. "And I might accidentally make this little zero here a one. The next thing you know, Ben's taking first-grade math again."

"And that's a downgrade?" I laughed. "You know I suck at math."

Megan opened her mouth to respond, but instead shook her head and stormed back to her workstation.

"I'm sorry," I muttered.

Idiot.

I spent the next ten minutes looking around the small laboratory in an attempt to focus on something – anything really – other than the pain in my head. Up until earlier that day, I thought I had been in every lab at CyberLife. Both at the headquarters in Brookwood, Colorado, where I'd spent all morning, and the secret research campus in the mountains west of town, where I spent most of my teenage years. However, this one was new and, in my opinion, barely qualified as a lab. It was dimly lit, had no heat, and was four stories under ground. The only furniture was Megan's workstation and my cold, stainless steel, surgical table. The room seemed more like a medieval dungeon than a place where she should be performing high-tech surgery on my brain.

"Why are we down here?" I asked, determined to strike up a conversation. "Is this even a lab?"

Megan walked over and set her laptop down on the table next to me. "If you must know," she said. "We're down here because my idiot teenage patient decided to play football, got himself smacked in the head, and just about scrambled the cybernetic augment attached to his brain."

I sat still, suddenly wishing I'd kept my mouth shut.

"And, so Dr. Merrick doesn't find out," she continued. "I decided we should meet down here this morning instead of in my office, which is two doors down from his."

Megan folded her arms across her chest and arched an eyebrow. "Make sense?"

I nodded slowly. "Yeah, makes sense."

"Good." She turned back to her laptop. "Now shut up so I can finish."

"Any idea how much longer?"

Megan sighed and shook her head. "You're impossible Benjamin."

"I have a math mid-term at eight."

She glanced at her watch and resumed the rapid fire typing. "Lucky for you, I've figured out the problem. Just need to upload a new software build."

I groaned. New software meant new bugs. The last thing I needed was a system malfunction during mid-term exam week. Then again, being virtually stabbed in the foot every minute during an exam would do little to help either. Instead of arguing, I lay back down on the table. Wearing only my boxers and socks, the cold metal surface sent a shiver up my spine. 

"You look cold," she said. "Want to borrow my coat? I just need to tweak a few more things before we get started with the upload."

"You read my mind," I said. "It's freezing in here."

Megan slipped off her lab coat and placed it over my legs. She wore a tight, light blue sweater and khaki pants. The outfit provided enough of a distraction that I didn't notice her hands slide under the coat. She wrapped her ice cold fingers around my bare leg.

"Megan!"

I shot forward and tried to push, pull, and claw her hands off me. It was no use. I had learned long ago that the cute, blue-eyed blonde was freakishly strong.

"Your hands are freezing!"

Her grip tightened. "Oh, they are? I had no idea."

I tried to punch her shoulder, but she dodged out of the way, and I almost fell off the table.

"Not funny Megan!"

"Oh, don't be such a big baby." She let go and tucked her lab coat tight around my legs. "There, is that better?"

"Gee, thanks," I grumbled. "You cheated and tweaked the temperature sensors in my leg, didn't you?"

"Maybe." Her grin widened.

I shook my head and cursed the CyberLife engineers who had made my leg so damn realistic. Not only was it nearly impossible to detect visually, its lifelike synthetic skin could sense touch as well as a range of temperatures and relay the associated sensation to my brain. 

"How's your head?"

"Still hurts."

"You sure?"

Several moments later, I let out a deep sigh of relief. The headache was gone. Cute, strong, and ridiculously good at her job, I thought. "Thanks Megan. You're the best."

"No problem," she answered. "And while I question that your brain is still intact and functioning correctly, my tests revealed no major damage."

"So what happened?"

With a shrug, she said, "I think the impact occurred just as your augment was feeding stored Cytoxinol into your system. The process was interrupted, and a software bug kept it from starting again. The lack of Cytoxinol caused your headache. To be honest, I'm surprised it didn't result in more problems. You were lucky."

I whistled softly. Cytoxinol was a CyberLife-manufactured drug I took daily. I didn't know the details, only that it somehow kept my body and my cybernetic system in balance.

"What if I didn't call you to get it fixed?" I asked.

"You'd have been dead in two days."

My mouth fell open as I waited for the punch line. When one didn't come, I said, "Dead?"

"I'm serious Ben," Megan replied. "You're taking Cytoxinol for a reason. Without it, your cybernetic augments would poison you." 

I let out a deep breath. Joining the football team now seemed like a pretty dumb idea.

Megan squeezed my arm. "Now you know why I was so angry?"

"Was angry?"

"Am angry. Don't push your luck." She reached into her pocket and pulled out a black data cable. "Since you're in a hurry, I'll use the wire. It transfers data a hundred times faster." 

Before I could protest, she bent down and slipped her hands up my boxer shorts. I tensed, both because I expected her hands to be cold and because she had her fingers wrapped around my upper thigh.

"Easy there Benjamin," she said.

"Geez Megan, a little notice next time?"

"Oh, like you're not used to it," she joked. "I've been putting my hands in your pants for three years."

My face flushed red. "Megan, seriously?"

She laughed, tucked her fingers under the synthetic skin, and rolled it down past my knee. My cybernetic leg's rigid, titanium alloy shell and flexible Kevlar fabric muscles made it look like something out of a science fiction movie. Even now, six years later, I had to look twice to convince my brain it really was my leg.

After plugging in the cable and entering a series of commands on her laptop, Megan sat on the corner of the table and crossed her arms. 

"Okay Benjamin, you've got ten minutes," she said, a serious look on her face. "Start talking."

"Talk?" I replied tentatively.

She scowled and leaned in close. In a voice barely above a whisper, she said, "Tell me why, of all the things you could possibly do, you decided to join the football team? Not the golf team. Not the debate team or the chess team. The full-contact football team." 

At that moment, I realized the true downside to the sparse, underground lab.

Nowhere to run. Nowhere to hide.

**********

About M.L. Adams

M.L. Adams was born in the Midwest and raised in Colorado. His parents, both avid readers, instilled a love for books at an early age. His 3rd and 4th grade teacher, Mrs. Watson, encouraged a passion for writing. Cyber Dawn includes many of his experiences as a childhood cancer survivor and amputee. He still lives in Colorado with his wife and two children.

Feel free to contact him at: author.mladams@gmail.com

For news and more information: www.mladams.com

Monday, December 2, 2013

And You All Thought He Was Done


My pal, Tony Healey, and I have been working on the Far From Home series for such a long time that it's gotten more and more difficult to leave with each installment. This novel/novella was not supposed to be written, or released, for several months, but Tony couldn't help himself. After finishing the twelve-part serial, he thought he was ready to move on to something else for a bit. [spoiler alert] That's why the initial serial had a tight ending with very few loose ends.

But I guess Jessica King and her crew kept calling his name. So here it is, the first in a trilogy set in the Far From Home Universe, and you all get first peek at the first chapter. The book's Official Launch is today although hardcore FFH fans are already buying kindle copies.
**********
1.

Starbase 6 was a welcome sight as it loomed into view. The Defiant slowed from the tremendous speeds of exiting the Jump. As it approached the huge Union space station, Lieutenant Kyle Banks handled the helm controls of the ship with consummate skill.

Feels good to come back here, Captain Jessica King thought to herself. Like coming home.

After more than a year away on a mission of exploration, they had returned to Station 6 for some much needed supplies and minor repairs. The Defiant had also been promised a few upgrades, and Jessica fully intended on making sure she got them.

The old girl could use them, she thought. And the much needed rest . . .

"Starbase control has made contact, Captain," Ensign Olivia Rayne reported from the comm. station, her hand to her earpiece.

King nodded. "Patch me through."

She waited a few seconds for the connection to be made. "Captain Jessica King, Union Starship Defiant."

"Please state your prefix number," an artificial voice said.

"T.U. zero-one-one-three-eight," Jessica said.

There was a brief delay, then the voice announced that they were cleared to dock. "Docking bay three. Please do not exceed standard thruster speed."

"Close channel," King said.

Just like old times . . .

She looked ahead at the large, circular space station. Tall centrifuge at the centre, spokes extending out at the middle to form a wide outer ring. Along the ring were enough docking bays to accommodate up to twenty vessels, with many of the bays currently occupied.

Lieutenant Banks brought the Defiant – an old but well-kept Archon class battleship – to a relative crawl and lined up the port side with the slowly rotating docking ring. At one time, Archon class vessels had been the backbone of the fleet. Now they were little more than relics. While the Draxx war raged, they still had a purpose. But now, in this newfound era of interstellar peace, the Archons were slowly being taken out of service.

Decommissioned. Scrapped. Thankfully, there were no such plans for the Defiant.

Yet.

The thought of her being dismantled, ending up as salvage, made Jessica shudder.

"Aligning to dock," Banks reported, his voice taut with effort as he concentrated on the task at hand. Starbases were not designed to accommodate simple and easy docking manoeuvres.

"Keep her steady, Lieutenant. You know the drill."

"Aye," Banks said. His hands flitted over the controls, the Defiant edging to the left to butt up against the station. "I could do this with my eyes closed."

Jessica smiled. "Well, please refrain from doing so on this occasion, Banks. I'd like my ship kept in one piece for the time being. It'd be a shame to crash just before we park."

"Yes Ma'am," he said with a chuckle.

"Less than two metres clearance," Commander Chang reported from the science and tactical station to the Captain's right. The Defiant nestled up to the dock with a slight bump a moment later.

"Good job Mister Banks. Commander Chang, activate all moorings and equalize atmospheres," King ordered. She got up from the captain's chair. The Defiant was now under the momentum of the station itself, like a very heavy passenger on a merry-go-round. "Power down all non-essential systems. Commander, observe standard protocol."

"Yes Captain," Commander Greene said as he relayed her orders to the rest of the ship. Every department would shut down those systems that weren't needed while the Defiant underwent any repairs and refurbishments that had been scheduled for her.

"When the bridge is cleared, come and find me," Jessica told him.

The Commander nodded. Jessica ran her eyes over her team – Kyle Banks at the helm, Olivia Rayne at the comm. station, Lisa Chang at the science and tactical station, and Del Greene by her side as her second in command – and all she could feel was pride at having the fortune of serving with such a fine group of men and women.

"I'll be in my quarters," Jessica said as she left the bridge. "Well done everyone."

Click here to find Enigma on Amazon.com

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Huh. I thought the first chapter revealed a bit more than that. I suppose you'll just have to check out the book while you're waiting in those long lines at the mall.

By now, you all know Tony's bio. He's from England. So please, stop asking him to fire me because I don't catch his spelling errors. He writes in the Queen's English. They spell funny over there. ;)

Happy Reading!

Sunday, November 17, 2013

And Now for Something Quite Different

If you've been with me for a bit, you've already met my friend, author and teacher, Matt Posner. Matt's latest venture is a non-fiction manual, written almost textbook style, entitled How to Write Dialogue. It's (obviously) aimed at writers of all levels who wish to sharpen their dialogue-writing skills, but I'll let Matt tell you a bit more about himself and his book.
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Hi Laurie!

Thanks for hosting a sample from How to Write Dialogue, my technical manual for writers at all experience levels. This book offers prescriptions for good dialogue writing with plentiful and, I hope, entertaining examples, both those written by me, and those written by my bullpen of contributors including J.A. Beard, Cynthia Echterling, Marita A. Hansen, Junying Kirk, Stuart Land, Mysti Parker, Roquel Rodgers, Jess C. Scott, Chrystalla Thoma, Ey Wade, and Georgina Young-Ellis.

The book also has essays on dialogue by Tim Ellis and Jess C. Scott and numerous illustrations by fine artist Eric Henty.

Here's a selection from a part of the book called "Dialogue Provides Information."

See what you think of this next example.

Example 36 — Elinor and Marianne

"Mother is coming to visit me," said Elinor. "For a week."

"Really?" asked Marianne. "She hasn't come to stay with me in… what is it? Eight years?"

"Your house is crowded, with your two nephews in the guest room, that you took in when your husband's brother died. And the stray dog you adopted on one of your monthly trips to Perth Amboy."

"Do you really think that's why?" Marianne asked, setting down her coffee cup. "Don't you think there might be another reason?"

Elinor sighed. "Not again, Marianne. Puh-leeze, no more 'Mom loved you best.'"

"She said so."

"When?"

"When we three all went to Newport News to settle Grandma's estate. Three years ago."

"And you still have her emerald brooch," Marianne complained.

"I do not."

"You do. And Mom said she preferred you."

"She was joking," said Elinor. "It was ironic. You two were cuddled up with a bowl of popcorn watching The Way We Were."

"That never happened!" Elinor was shocked.

"Yes it did!"

"No," Marianne sniffed. "We were watching The Bridges of Madison County."

This passage, my imitation of chick lit, seems to be about the two sisters quarreling over their mother's love, and really it is, with lots of conflict and characterization, but there's necessary exposition in the passage also. We learn about who lives in Marianne's house; that Marianne is married; that she travels to Perth Amboy; that Grandma is three years dead; that there is an emerald brooch in dispute. We also are alerted to Dad's apparent absence (he wasn't in Newport News).

Dialogue passages like this are a staple of fiction, and an alert reader recognizes one for what it is, the satisfaction of a technical requirement rather than an attempt at verisimilitude. However, if you add enough positives to dialogue like this, your reader will probably not mind.

The technical action in this case is to have the characters remind each other of what they have done in the past. It can be accomplished in a number of ways.

1) Have the characters narrate their past actions during a conversation, resulting in a short in-character summary rather than a fully developed scene.

2) Have characters who are getting to know each other relate stories of their pasts.

3) Have one character tell a second character information about a third character, who may or may not be present to react.

4) Have characters argue over past action and narrate prior events as components of the argument. (This is what I did in the previous example.)

Note that people's versions of events are not entirely trustworthy, and people may well dispute each other's accounts of the past.
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Matt Posner is a New York City teacher and a writer of fiction and nonfiction. The author of the acclaimed ongoing young adult fantasy series School of the Ages and co-author of the top-selling advice book Teen Guide to Sex and Relationships, Matt lives in New York City with his wife Julie. Matt is also a member of Bernard Schaffer's Kindle All-Stars and maintains a growing series of interviews with writers at his website http://schooloftheages.webs.com. Matt has an MFA in Fiction from the University of Alabama at Tuscaloosa.

How to Write Dialogue is Matt's sixth full-length book.

Links: http://schooloftheages.webs.com

http://www.facebook.com/schooloftheages

http://www.twitter.com/schooloftheages

This book: 

http://www.amazon.com/How-Write-Dialogue-Tim-Ellis-ebook/dp/B00GM02410/ref=sr_1_20?ie=UTF8&qid=1384384447&sr=8-20&keywords=matt+posner

http://www.amazon.co.uk/How-Write-Dialogue-Tim-Ellis-ebook/dp/B00GM02410/ref=sr_1_11?ie=UTF8&qid=1384384481&sr=8-11&keywords=matt+posner

http://www.amazon.ca/How-Write-Dialogue-Tim-Ellis-ebook/dp/B00GM02410/ref=sr_1_8?ie=UTF8&qid=1384384527&sr=8-8&keywords=matt+posner

Happy Writing!